Thursday, October 31, 2019

Does the EU need politicization Essay Example | Topics and Well Written Essays - 1750 words

Does the EU need politicization - Essay Example The fundamental question which must be addressed before embarking upon the launch of measures to politicize the EU is rather straightforward and is rooted in a legitimate concern of the stakeholders which are somehow affected by the functioning of the politico-economic union of several European nations. This question aims to explore whether the EU essentially needs and require politicization. For the purposes of comprehensively and critically examining this fundamental aspect, this paper integrates positions of renowned scholars on the topic so as to reach at objective and viable conclusions with regard to inquiry. According to De Wilde and Zurn (2012), the onset of politicization is a direct outcome of the rising power and authoritative position which is currently possessed by the EU. It should be noted with reference to this claim that the possible increase in this authoritative stature of the union has been prompted by two critical events – the failure of the Constitution Treaty and the inception of the financial crisis which hit the region. For scholars such as Statham and Trenz (2012), the agenda of politicization has reached a stage where its effects can be characterized as palpable and where its eventual progression appears to be foreseeable. Despite of these observations it is important to identify whether this particular measure appears to be the only viable and feasible answer for effectively resolving the problems of the European Union? In their comprehensive and insightful research on the issue of politicization surrounding the European Union (EU), Magnette and Papadopoulos (2008) adopt a neutral stance on the position of renowned scholars Hix and Bartolini and rightly classify the issue of EU’s politicization as a supposed solution for the imminent problems which are being faced by the union. This notion postulates that rather than blatantly disapproving or approving of this

Tuesday, October 29, 2019

Is the rise of China good or bad for the industrial world Essay

Is the rise of China good or bad for the industrial world - Essay Example The manner in which it has benefited the world economy as well as brought a new and dignified name to the technological domains is somewhat of an interesting study which has come about with the passage of time. Also an effort has been made to find out what binds together the Chinese energy and the workforce which keeps producing solid results and creates benchmarks time and again. In essence, a clear cut demarcation has been made when the talk has gone out loud regarding China being a potent force within the industrial world in this day and age, as well as doing so in the coming times undoubtedly (Li 1999). Hence these discussions will be centered upon within this paper to find out how the world can catch up with China and how China can grow even further from where it is today. With the assistance of major industrial players like the European Union, China can make it big within the global economy. Even though it is doing well, it needs to stamp of approval from the world’s leading economic bodies. What China can bank on meanwhile is that its economic resources in the form of its own people trust in themselves and this is the reason why they are seen as tough taskmasters. They believe in hard work, commitment and devotion right from the beginning of doing any work. The world including the European Union and other significant bodies like the United States see them as dedicated professionals who would go to any length to turn the impossible tasks into possible and doable things. This is the basis why Chinese have been able to showcase significance through their actions while the rest of the world has sat back and enjoyed their laurels. The talent and skills with which these Chinese professionals are filled with is testimony enough that the processes an d systems within the country are based on a solid footing. This is the reason why there are many moments of success when it comes to the

Sunday, October 27, 2019

History of Animation

History of Animation Historical Perspective Introduction: This section in my dissertation focuses not on the history of animation per se but on the evolution and progress of animation in films and in particular claymation which is one form of stop-motion animation. The desire to animate is as old as art itself. Animation is a form of movie magic with its origins in art form. The earliest examples are still drawings, found in Palaeolithic cave paintings depicting animals with multiple sets of legs in superimposed positions, that attempted to convey the illusion of movement. While such images came to life through fairy tales and folk lore, it was only during the 19th century -when inventions were made to make motion picture- that animated pictures became a real possibility. A live -action film and an animated film are different because the live -action camera captures a scene moving in real time, automatically freezing into separate still pictures that can then be projected on to a screen. In an animation film, the animator, on the contrary, can not film anything until and unless he/ she creates through drawings(2D animation) or models (3 D animation) or computer imagery every single frame of a film from scratch. While animation is definitely a highly creative medium, it entails time-consuming processes for an animator who should have vision, faith in the concept and creation, abundant patience and capacity for sustained efforts. THE DEVICES: The development of devices from crude form to highly technical gadget has played a key role in evolution of animation over the years. The earliest device to create an image of a moving picture is known as Zoetrope, invented in China around 180 AD. The modern day zoetrope contraption was produced in 1834 by William George Horner and is considered to be the beginning of the animation devices. The device is basically a cylinder with vertical slits around the sides. Around the inside edge of the cylinder there are a series of pictures on the opposite side to the slits. As the cylinder is spun, the user then looks through the slits producing the illusion of motion. Actually, even in present day animation classes for the beginners, the Zoetrope is being used to explain the early concepts of animation. The magic lantern, believed to have originated from China in the 16th century, is the precursor to the modern day projector. It consisted of a translucent oil painting and a simple lamp. When put together in a darkened room, the image would appear larger on a flat surface. The most significant early day animation device was Phenakistoscope (1831) disc, invented simultaneously by the Belgian Joseph Plateau and the Austrian Simon von Stampfer. The photographic sequence experiments done by English-born American Eadweard Muybridge in 1872, using 24 still cameras set up along side horse race track, have been of help to later generation of animators. The animated film took a major step thanks to a sophisticated version of Zoetrope, known as Praxinoscope, invented by French scientist Charles-Émile Reynaud in 1877, a painter of lantern-slides. It used the same basic mechanism of a strip of images placed on the inside of a spinning cylinder, but instead of viewing it through slits, it was viewed in a series of small, stationary mirrors around the inside of the cylinder, so that the animation would stay in place, and provide a clearer image and better quality. After fifteen years of hard work, Reynaud also developed a larger version of the praxinoscope, an animation system using loops of 12 pictures, that could be projected onto a screen, called the Thà ©Ãƒ ¢tre Optique, first demonstrated at the Musee Grevin, Paris in 1892, comprising 500 pictures on a transparent strip of gelatin. This was the first animation film entitled ‘Pantomimes Lumineuses which lasted up to fifteen minutes. Reynauds films were simple tales mainly concerned with love and rivalry. Reynaud used drawings rather than photographic images, and every subsequent animated film using line animation -from Felix the Cat and Micky Mouse to the Rugrats and the Simpsons -is a successor to the moving pictures that he created. Flip Book, patented in 1868 by a John Barns Linnet, was another development that brought us closer to modern animation. The Flip Book creates the illusion of motion through a set of sequential pictures flipped at a high speed. The Mutoscope (1894) is basically a flip book in a box with a crank handle to flip the pages. 1919 marked the invention of rotoscope. While Emile Reynaud, showed the first animated film using his Theatre Optique system in 1982, three years later, two French brothers, Auguste and Louis Lumiere, presented the first authentic demonstration of what we now think of as cinema. Lumiere Brothers characters were images of real people and hence overshadowed the Emile Reynauds presentations of moving drawings. Humorous Phases of Funny Faces made by J. Stuart Blackton in 1906, featuring a cartoonist drawing faces on a chalkboard, and the faces apparently coming to life, can be termed as the first animated work on standard picture film. This film was released by Vitagraph. Two years later, the French director Émile Cohl (also called Émile Courtet), created Fantasmagorie which was screened for the first time on August 17, 1908 at Theatre du Gymnase in Paris. It was Émile Cohl who relocated to New York City in 1912, spread its technique in the US. Though these animations were rudimentary, ‘Gertie the Dinosaur in 1914 and ‘Koko the Clown in 1919 by Max Fleischer, considered as classics, stepped up the pace of animation films in silent movie era in USA. The Beautiful Lukanida released in 1912 and conceived by the Russian-born director Wladyslaw Starewicz (later known as Ladislas Starevich) gets the honour of being the first puppet animation film. Neither this film, nor the first animated feature film -El Apà ³stol, made in 1917 by Quirino Cristiani from Argentina as well as his two other animated feature films, including 1931s Peludopolis, {the first to use synchronized sound}, have survived the present day. The silhouette-animated Adventures of Prince Achmed (1926) directed by German Lotte Reiniger and French/Hungarian Berthold Bartosch is one of the earliest-surviving animated feature. This film used colour-tinted scenes, perhaps for the first time. The list of other animated films during the silent era included the following films: ‘Gertie the Dinosaur made by Winsor Mccay in 1914, ‘The Sinking of the Lusitania in 1918, ‘Dreams of the Rarebit Fiend in 1921 by John Randolph Bray who rediscovered some of McCays techniques, ‘The Dinosaur and the Missing Link by Willis OBrien in 1915, the first cartoon super star ‘ Felix the Cat in 1919 and ‘The Lost World , a stop motion marvel made in 1925. This was followed by the famous ‘Aesops Film Fables during 1921-1929 created by Paul Terry, released by Van Beuren Studios. Initially, Walt Disney also made silent cartoons like ‘Laugh-o-Grams, ‘Alice Comedies, ‘Oswald the Lucky Rabbit and ‘Mickey Mouse. Other significant silent era series were ‘ Heeza Liar, ‘Mutt and Jeff, ‘Krazy Kat, ‘Bobby Bumps etc. The notable production houses during this period were: Barre Studio, Bray Productions, Barre-Bowers Studio {The Bray Studios was the first and foremost cartoon studio, housed in New York City-} Many budding cartoonists like Paul Terry of Mighty Mouse fame, Max Fleischer of Betty Boop fame, and Walter Lantz of Woody Woodpecker fame, all statrted their career in this studio.The cartoon studio was based in Circa during 1915-1928. ‘Farmer Alfalfa by Paul Terry and ‘Bobby Bumps by Earl Hurd were well known cartoons produced by the Bray studios. Fleischer Studios, set up by Max and Dave Fleischer created the Koko the Clown, Out of the Inkwell, and Sound Car-Tunes series. In addition, this era also saw distributors of animated films such as Margaret J. Winkler, Charles Mintz, Educational Pictures, Red Seal Pictures, and Bijou Films. Although 1930s witnessed a few more animated feature films, Walt Disneys Snow White and the Seven Dwarfs released in 1937 is deemed to be the first animated feature film with sound effects. It could be because Snow White became successful and well-known within the English-speaking world. The first animation to use the full, three-color Technicolor method was Flowers and Trees (1932) made by Disney Studios which won an academy award for this work. We are all aware how Walt Disney dominated throughout the 1930s, through revolutionary cartoons ‘Silly Symphonies, ‘Mickey Mouse, and Donald Duck. The 1930s, termed as the Golden Era in USA animation also witnessed the emergence of big studios making animation films like Warner Bros, MGM and The Fleischer Studios with their creations like Betty Boop and Popeye cartoons. Following the golden Age of American animation (1920s through 1950s), animation evolved at a more hectic pace during the television era i.e. 1950s through 1980s. During this period, the theatrical cartoons and feature films declined to some extent. Hanna-Barbara productions did dominate this phase with their TV animated series. Then we saw the emergence of morning cartoons on week ends, adult animation in the 70s, and a slew of commercial cartoons in the 1980s. The present day animation (1980s onwards) boasts of mind boggling creations most of which are futuristic in concept such as ‘Who Framed Roger Rabbit, the ‘Disney Renaissance and Steven Spielbergs collaborations with Warner Bros like ET, Jurasic Park etc. The Simpsons is one of the most successful series that revived the adult-oriented animation. The other series of this genre is Cartoons Networks late night animation show ‘Adult Swim. Many studios all over the world have joined the bandwagon of making animation films for world wide distribution. The rise of CGI, increasing popularity of Nickelodeon, Cartoon Network, and the Anime explosion which is mainstream version of Japanese animation represent the current scenario in animation. HISTORY OF STOP -MOTION CLAYMATION: Stop motion and cel animation are two basic techniques in traditional animation. Stop motion animation, is used for many animation productions using physical objects rather than images of people, as with traditional animation. An object will be photographed, moved slightly, and then photographed again. When the pictures are played back in normal speed the object will appear to move by itself. Clay animation is one the forms of stop-motion animation. It is the animation of clay models made preferably of plasticine clay. Producing stop-motion animation using clay /plasticine clay is a time consuming and labour intensive process. That is because, to produce a 30 minute stop motion animation movie using clay models, approximately 21,600 times one has to stop to change the figures for the frames. In the case of feature-length films, in addition to clay, rubber silicone and resin-cast components are used to create models. The term Claymation is a registered trade mark in USA, registered by Will Vinton, the greatest pioneer in clay animation. Though foamation, meaning use of foam-rubber process, invented by Will Vinton has found a place in stop motion animation films, it is clay which is the preferred material to bring about aesthetic effect as well. A variant to claymation is the â€Å"clay melting† used in Will Vintons film ‘Closed Mondays. While there are several forms of clay animation, the notable few are: â€Å"Freeform† claymation represents a process wherein the shape of the clay changes significantly as the animation progresses, as exemplified in the films of Eliot Noyes Jr and Ivan Stang. â€Å"Character† Clay animation maintains a recognisable character throughout the shot as in Art Clokeys and Will Vintons works. The â€Å" Strata -cut animation† entails long bread like loaf of clay packed with varying figures/ images, which is sliced into thin sheets with the camera taking a frame of the end of loaf for each cut as a result of which one could eventually see the movements of internal images within. This technique was pioneered by the German animator Oskar Fischinger during 1920s and 1930s subsequently upgraded by David Daniels in mid-90s as seen in his film Buzz Box. Clay painting is termed as another form of claymation. This process requires clay to be placed on a flat surface and moved like wet oil paints. This technique results in a seamless merger of stop motion and traditional flat animation. Early films using stop-motion were the clasic ‘Chicken Run and ‘Wallace and Gromit, and later ‘The Nightmare Before Christmas and ‘James and the Giant Peach. Sometimes even objects are used, such as with the films of Jan Ã…  vankmajer. Stop motion animation was also commonly used for special effects work in many live-action films, such as the 1933 version of ‘King Kong and ‘The 7th Voyage of Sinbad. It was in 1920s, though eight years earlier Edison Manufacturing released a clay animated trick film called ‘The Sculptors Welsh Rarebit Dream, the clay animation films using either cels or the slash system became the dominant mode in animation film production. Although the cel method was preferred for cartoon films by the studios, clay animation was the medium in the well known film called ‘Modelling produced by Fleischer Studio in 1921. Joan Gratz, won academy nomination for her clay animation films Creation (1980) and won the Oscar for yet another film ‘Mona Lisa descending a Stair Case made in 1982. Craig Barlett, another Vinton animator was known for variation in clay animation used in his series of short films ‘Arnold in the mid 90s. Charles Bowers a comedian with great talent in animation made many bizarre films in the 1920s combining stop-motion animation and comedy. Academy Award winning short films such as ‘ Closed Mondays made by Will Vinton and Bob Gardiner in 1974, ‘The Sand Castle'(1977) and ‘Creature Comforts; , produced by Aardman Studios in 1989 and all four Wallace Gromit films created by Nick Park of Arrdman Animation and last but the least ‘The Presentators again filmed by Aardman Animation are typical claymation films. Clay animation has been creatively employed in several computer games as well viz. The Neverhood, Clay Fighter, Patypus, Primal Rage. Besides TV commercials such as ‘Chevron Cars, childrens shows in the electronic media in the recent times are dominated by clay animation techniques which are often seen on Cartoon Network. Computer graphic image of clay animation is presented in a film called ‘ Flushed Away. COMPUTER -GENERATED IMAGERY {CGI } What has caused a real revolution in animation industry is the Computer -generated imagery- abbreviated as CGI. It is significantly different from traditional animation because the drawings (known as 2D animation) in traditional animation gave way to 3D Modeling which is the virtual version of stop-motion. CGI combines these two forms of animation through computer aided animation but on 2D Computer drawing. CGI is as tedious as the traditional animation and many of the underlying principles of traditional animation are used albeit through computer aided software programmes. While the playback feature creating an illusion is true of all moving images (from zoetrope to films to videogames), the techniques involved in creating CGI are generally removed from a frame-by-frame process. Most of the characters employed in CGI films are based on animal characters, monsters, machines or cartoon-like humans. The latest rend is to create realistic-looking humans. The notable animation films of t his genre are Films are ‘Final Fantasy: The Spirits Within in 2001, ‘Final Fantasy: Advent Children in 2005, ‘The Polar Express in 2004, and ‘Beowulf in 2007. The constraint in this method of animation is to create the nuances and details of a living person if one has to make a realistic CG character; in particular, to synchronise the movement of the hair and clothing with the animated human character. CEL-SHADED ANIMATION Cel shading is a type of rendering, known as non photorealistic rendering, to make computer graphics appear to be hand-drawn. A recent development and a comples process, this is generally applied to mimic the style of a comic book or cartoon. The console video games use cel- shaded animation in addition to computer graphics. The material used in cel- shaded animation is the clear sheets of acetate , called cels. Some animators consider Cel -shaded animation as â€Å"2.5 D form of animation†, a via media between 2D and 3D animation. It was only the console video games which shows the true real-time cel-shading as seen in Segas Jet Set Radio launched in 2000 for their Dreamcast console. This style of animation was used in Freedom Project in 2006. ANIMATION IN INDIA: As in the western countries, the roots of animation in India are in Indian Cinema. In the early 20s, Dadasaheb Phalke, arguably one of the founders of Indian Cinema, {in whose name a prestigious award has been instituted to honour every year outstanding contribution in the field of cinema}, match sticks and a stop-motion camera to create a short film which was unfortunately not distributed for public viewing. After a lot of struggle, he succeeded in making a stop motion film ‘The Growth of A Pea Plant in 1912, marking the beginning of animation in films in India. However, the first animation film ever released in a theater was ‘ The Pea Brothers produced by New Theatres Limited, and directed by Gunamoy Banerjee, and released on June 23, 1934. It took nearly seventeen years to produce the next animation film called ‘Jumbo The Fox coming from Ranjit Movietone and released in 1951. In the same year, another animation from New Theatres, ‘Michke Potash, directed by Bhaktaram Mitra was released. The Ministry of Information and Broadcasting, Government of India set up a Cartoon Film Unit as part of its Filns Division to promote animation films. This unit produced in 1956 ‘Radha and Krishna, a 22 minute film based on cel animation, directed by J.S. Bhownagary. It is believed that camera movements over the miniature paintings of Indian art were employed to create the animation. This film won prestigious awards in International Film Festival held in Berlin. Films Division had a team of animators like Kantilal Rathore, Pramod Pati, G.K. Godbole, and V.G. Samant, along with Ram Mohan, Bhimsain, Satam, Suresh Nayek. A film which impacted animation in India was ‘Kalpana, made in 1948, directed by the legendary dance maestro Uday Shankar, although it was not an animation film. Because, the use of feet movement, film language with rhythm and melody skillfully synchronized appealed to all the film makers including Satyajit Ray Mrinal Sen, do yens of Indian Cinema. Clair Weeks, an animator from the Disney Studio was brought to India by The Films Division, with funding support from UNESCO and the US Technical Aid Programme, to train the animators in the Division. Those who were benefited were Ram Mohan, Bhimsain, Satam, Ezra Mir and Pramod Pati. In 1960, one of the earliest pro-social animations made by the Films Division was ‘A Great Problem, covering family planning issues was released and received international appreciation for its maker G.K. Gokhale. The first animation film with music was ‘Chaos in 1969. As the animators from the Films Division left and started their own ventures, there was a growth in the studios making animation films in India such Climb Films, Rauko Laboratories owned by Satyajit Ray and Mrinal Sen, and the Prasads Studios in the south. Others like Gimmicks and Pictoreel Facet, opened in Bombay, but have not survived till the present day. It was in 1992 when the Film Festival being organized every year by the Films Division was renamed as the International Film Festival for Documentary, Short and Animation Films, recognizing the growing importance of animation in India. A special section called World Animation in this festival screened the works of international creators like John Halas, Ishu Patel, Osamu Tezuku, Jiri Brdecka, Jiri Trnka. Ishu Patel is one of the well known animators of India who is respected abroad as well. Icerocket Equally important is the contribution made to animation films by the Childrens Film Society of India, set up in 1955 by the Indian Government to promote childrens films. CFSI has produced a huge number of animation films such as ‘Jaise Ko Taisa by Madhab Kunte in 1988, ‘Karuna Ki Vijay by K.S. Bansod in 1985, ‘Lav Kush by K.A. Abbas in 1973, ‘Adventures Of A Sugar Doll in 1966 by Kantilal Rathod, and ‘As You Like It by Sukumar Pillay in 1965. Most of the present day animators of repute have worked on films made by CFSI. Along with film making, the Government of India sought to develop animation teaching in India and accordingly established an animation department in early 70s at the National Institute Of Design which has become the Bedrock Of Animation teaching in India. In addition to teaching traditional and computer aided animation, NID has produced a large number of animation films. ‘Swimmy , a cut out animation film made by Leo Lionni a visiting faculty at NID is till date the best cut out animation film. Other notable films which came out of the NID studios were ‘Cirrus Skies and ‘Patang made by Vinita Desai, ‘Drawing Drawing made jointly by Vinita Desai and Nina Sabnani who also won the international acclaim for her feminist animation film ‘Shubh Vivah dealing with dowry system in this country, using the traditional Rajasthani Marubeni style of painting. The most noteworthy animation film made through NID by the young Prakash Murthy was ‘ Jungle King , base d on Gujarati folklores which received good reviews in the International film festivals. He also made ‘The Square On The Hypotenuse (1995), ‘The Progress Report (1994) and ‘The Protagonist (1988). Shoma Banerje Kak has been credited with making a serial on India called ‘Pradhakshina using cel animation. Other young animators include : Shilpa Ranade, who made Monis Dying who along with Asha Datta, a dynamic producer, has set up Multik Productions. Vinay Rai has made films like Keep Your City Clean, The Drummer nd Animated Bhangra, which was screened at Hiroshimas Indian showcase. Pravin Thakur who created The Brave Bird, and The Louse Story. Neeraj Sahai and Pallvi Sahai with their films like A Monkey And Two Crocodiles and The Big Run. Aman Bajaj has produced films like Khel Khel Mein, Alphabet A and Chikoo And Angola . Ajit Rao, who worked with Ram Mohan Biographics as one of the leading animation designers there, and taught in University of California is teaching in Toonz Animation Studio in India. StumbleUpon Propeller Reddit Magnoliacom Newsvine Furl  · Facebook  · Google  · Yahoo  · Technorati  · Icerocket

Friday, October 25, 2019

Physics of Swimming Essay -- physics swim swimming

The study of physics and fluid dynamics in swimming has been a field of increasing interest for study in the past few decades among swimming coaches and enthusiasts. Despite the long history of research, the understanding of how to move the human body effectively through the water is still in its infancy. Competitive swimmers and their coaches of all levels are constantly striving for ways to improve their stroke technique and overall performance. The research and performances of today's swimmers are continuously disproving the beliefs of the past. Like in all sports, a better understanding of physics is enabling the world class swimmers to accomplish times never before thought possible. This was displayed on the grandest of scales in the 2000 Olympics when Ian Thorpe, Inge De Bruijn, Pieter Van Den Hoogenband and a number of other swimmers broke a total of twelve world records and numerous Olympic and national records. Several forces play significant roles in the movement of the human body through the water. The forces are drag, lift, gravity and buoyancy. Lift and drag are the main propulsive forces that are used by swimmers. Resistance, known as drag, can be broken into three main categories: frontal resistance, skin friction, and eddy resistance. The effect of buoyancy in swimming is best described by Archimedes’ principle: a body fully or partially submerged in a fluid is buoyed up by a force equal to the weight of the fluid that is displaced by the body.1 This effectively negates any effects that gravity might have on a swimmer. The rare exception to this is a swimmer with very little body fat, and this is overcome by keeping the lungs inflated to a certain degree at all times. Frontal... ...s, but through her intense regiment of endurance training she was recently able to win two Olympic gold medals. A select few swimmers go beyond momentum and energy and use power to its fullest and have no competition, like Ian Thorpe or the once great Alex Popov. Works Cited 1 David Halliday, Robert Resnick, and Jearl Walker, Fundamentals of Physics, Extended, 5th ed. (NewYork:Wiley, 1997) 361 2 Cecil M. Colwin, Swimming Into the 21st Century, (Champaign: Human Kinetics, 1992) 20-32, 58-59 3 James E. Counsilman and Brian E. Counsilman, The New Science of Swimming, (Englewood Cliffs: Prentice Hall, 1994) 6-7 4 James E. Counsilman and Brian E. Counsilman, The New Science of Swimming, (Englewood Cliffs: Prentice Hall, 1994) 10-22 5 Robert E. Schleihauf, "A biomechanical analysis of freestyle." Swimming Technique, 1974, 11(3), 89-96

Thursday, October 24, 2019

Brief Introduction of the Issues In the Meeting

Aim at the irregular trade between the Saving Drugs Corporation and the European Union, I have taken down the introduction about the issues and want to turn to you for help. It will not just concern the company’s profit but also the immigrants’ who arrive in Southern Europe each year. Actually, the European Union is devastating to Saving Drugs Corporation’s business plan to import less costly pediatric polio drugs manufactured by Saving Drugs Corporation into the European Union.By using the measure of imposing a 100% tax on pediatric polio drugs of whose country of origin is other than one within the European Union or a former colony of an EU member in Africa or Asia, they can hinder Saving Drugs Corporation’s plan going on smoothly. In fact, it is not conformed to the common law. Tariff is used to limit exotic products and protect one country’s own products. Besides, it can also weaken the competition of other countries’ goods and prevent th em against taking up the whole market. However, if one country raises the rate of tariff to 100%, it is not normal at all.â€Å"When the rate of tariff reaches one hundred percentages or several hundred percentages, it is a kind of Protective Duties. † Miecha just wants to warn the European Union of the high tariff rate, and they must take it into account and change the tariff rate. Besides, Miecha believes this is a blatant violation of the antidiscrimination provision of the General Agreement on Tariffs and Trade (GATT) known as the national treatment rule, and she asserts the aim-and-effect of the EU tax is to discriminate against non-European immigrants.We should treat each man equally. â€Å"One should not lightly dismiss the inherent unfairness of, and the perception of mistreatment that accompanies a system of allocating benefits and privileges on the basis of skin color and ethnic origin. † Although the immigrants are not your own citizens, you still need to tr eat them as well as local people. The country should pay attention to their living conditions, work environment, healthy situation. If their fundamental conditions cannot be met, it is not good for the country’s stability and development.The European Union should not discriminate against non-European immigrants. In addition, WATT is concerned about the tariff and trade between countries, and it plays an important role in regulating and harmonizing the relationship of each other. For example, with the help of WATT, â€Å"Uruguay has lowered its industrial products’ tariff from 5% to 4%. † Under the WATT’s regulation, the tariff barriers could be solved much better. It is not conducive to international trade to raise the tariff too high; on the contrary, it will hinder and decrease the cooperation between different companies.Usually, we can work out the protective tariff rate by a formula: first, we use the domestic market price of the import products minus the international market price of the import products; second, we use the result of the above divide the international market price of the import products and then multiply 100%, and that is the appropriate tariff rate. If the European Union can formulate the correct tariff rate, Saving Drugs Corporation will keep a good relationship and cooperate with it.What is more, European Union’s policy will result in the burden to immigrants. Once the import tariff rises, the price to sale in the market will be higher at the same time. It is a kind of saving product, and the major purpose is to help those who live a hard life. If European Union still keeps the high tariff, it is not the Saving Drugs Corporation’s loss but also the poor immigrants’ loss too. The major purpose to have a meeting with congresswoman is ensuring that no WTO member would enact a measure that blatantly violated an international trade treaty.We should use the rules of WTO and WATT to protect the profit of the Saving Drugs Corporation whose drugs are intended for distribution to the over 20,000 African, sub-Saharan and the undocumented immigrants who arrive in Southern Europe each year. Each law in the world is based on the human nature, that is, people’s reasonable and legal profits will protected by the law. Nevertheless, if European Union still imposes the 100% tax on pediatric polio drugs, both the company and the poor immigrants will be harmed greatly.What we need most is a statement of the relevant rules of law needed to resolve the issue, a statement of the court’s holding on each issue, and a statement of the steps of the court’s reasoning in applying the rules to the facts to resolve each issue. I will wait for your answer and all of us wish it would be an impartial and reasonable decision. Bibliography: 1. Xiang Yijun, 2002, International Trade and Theory, Beijing: Chinese Agricultural Press 2. Frank I. Michelman, 2004, the Harvard Law Review, Reasonable Umbrage, V. 117 No. 5, Page1378 3. Tramy, 2004, GATT and WTO, http://tramy. blogdriver. com/tramy/94001. html

Wednesday, October 23, 2019

To What Extent was the USA a Free and Fair Society in the 1920s?

I don't agree that the USA was a free and fair society in the ‘Roaring Twenties'. Not everyone had the rights to get a good job and earn money. Blacks and immigrants were just some of these minority groups that were prejudiced against. Although this was true, the , of Americans could purchase things they never could before, they could watch â€Å"Nickelodeons†, they could listen to the radio. In this essay I will explain who didn't benefit, who did and to what extent the U. S. Was a free and fair society and explain who was caught in the middle of these groups. There were a number of groups who weren't being treated with liberty and fairness in the 1920s. Many Americans were experiencing this freedom, many others were facing racism and prejudice. A huge majority of Americans were immigrants or descendants of immigrants. It was the more recent immigrants that got the abuse. There was a hierarchy of these new citizens in the big American cities. At the top, and competing for the best jobs and highest salaries, were the bigger and better established groups of Irish-Americans, German-Americans and French Canadians. These groups scorned the newer Eastern Europeans and Italian immigrants, who in turn held contempt for the Mexicans and blacks, who were at the bottom of this scale. The Russian revolution of 1917, sparked communist ideas in Russia and Eastern Europe. The new Russian government had usurped the Tsar Nicholas and killed him and his family. With all the communist ideas floating around the countries below Russia, some were bound to come to America via the immigrants. And they did. The period when the U. S. overnment thought communist ideas were spread around America by anarchists and extremists was known as the Red Scare. Evidence was added to these fears and superstitions in 1919. 400,000 workers went on strike, and then the Boston Police Department striked and all hell broke loose in the city, as theives and looters had free reign over the city. Most people today believed the strikes were not to do with communists, but an economic difficulty. Because the government did not know any better, they thought communists would take over America. These fears weren't untrue, as some immigrants did feel the need to overthrow the government, and so leaflets were published in the city, calling for the abolishment of the current system. Bombs were planted against important figures, and one almost killed the Attorney General, Mitchell Palmer. He asked a man named Hoover to round up people with extremist beliefs. Hoover was a controversial man in history, and he built up 60,000 thousand files and deported 10,000 immigrants because of these extremist ideas. Only 556 of these had hard evidence. Mr Palmer, however, found these purges of communists popular, and used their popularity to run for president. As a result of this, Jews, blacks and even Catholics were accused of being communists. In fact, Palmer accused most minority groups in America. Palmer, though, caused his own undoing. He predicted a Red Revolution and when nothing happened he was ridiculed and lost his popularity. Black people had life very bad in the teens and 20s. The Ku Klux Klan had been revived after a film, and they were originally formed in America's Deep South, to keep the slave descendents in order. However, the clan had much support and managed to get some of its members into high positions of power, such as State Governors. The Klan, however, fell out of favour when its leader, Grand Wizard David Stevenson was accused of sexually motivated murder. The corruption of the Klan then became known to many, and that they were not to be trusted. Not everyone had it bad in the 20s. They were known as the ‘Roaring Twenties' because the equivalent of a revolution was taking place. America was quickly becoming known as the most technologically advanced country in the world, and one with an ever increasing economy. It easily overtook Britain, France and Germany, as these countries had taken sever financial losses in the First World War. The 1920s were described as â€Å"one never-ending party†. Sex was no longer taboo, as it had been in the 1800s and early 20th century. Women were seen as less subservient, and there was certainly a huge decrease in prejudice against them. They had decent jobs although still earned less money for the same job. The motor car had been ingeniously redesigned and reproduced by Henry Ford, founder of the world's largest motor company today. Radios and other luxuries were being mass-produced, and so music was becoming increasingly popular, especially Jazz. Wages were raised and so people could spend more money on what they wanted to spend it on. The film industry was being developed and Hollywood had been discovered. It is still the place today where the majority of films are made. The cinema was the most popular pastime of the American population. Films were silent until 1927, but were still incredibly popular, and more cinema tickets were being sold in a week than in a year in Britain today. Films about the former taboo subject of sex were being watched by millions of people. Women had major roles in these films and one of the most successful film stars of the 20s was a woman, Gloria Swanson. Because sex was no longer frowned upon, it was increasing outside marriage. The majority of the American population was incredibly happy. There is an extent to which the freedom and fairness goes in the U. S.. Women for example had it two ways. They were certainly less controlled by men, but they still couldn't work the top jobs or earn as much money in the same job as men. They didn't have the same rights still, although they were greatly improved. Black Americans could work a wider range of jobs, but were still prejudiced against and earned little money. This is why I do not think that the USA was a completely free and fair society in the 1920s, because not everyone had equal rights. Blacks are still treated awfully in the Deep South of America today, so the society is still not free or fair. Using this evidence, I don't think any society could be completely free and fair, as racism, prejudice and chauvinism has gone on for centuries.